Origami artist Sipho Mabona makes us feel we were on to something with our childhood paper airplanes…. 

(Source: cosascool)

They say you can’t know where you’re going if you don’t know where you’re from.
Luckily for us, Miami based art collective 2Alas will take us back to our roots with their upcoming exhibition titled “1915”.
As part of the Fordistas Residency Program, 2Alas (comprised of artists Andrew Antonaccio and Filio Galvez), explore the early years of the 20th century that continue to shape our views on technology, consumerism and labor. Paying special homage to the lasting influence of the Ford Motor Company, 2Alas combine iconic imagery from the era with a contemporary street art aesthetic to deliver a visual series that brings to life a story of not only the past, but the present. 
Be sure to stop by the YoAmo305 gallery this Saturday, April 12th to check out the exhibition.

2Alas “1915”
Saturday April 12, 2014
7pm 
YoAmo305 Gallery
2311 NW 2nd Ave, Miami FL 33127

They say you can’t know where you’re going if you don’t know where you’re from.

Luckily for us, Miami based art collective 2Alas will take us back to our roots with their upcoming exhibition titled “1915”.

As part of the Fordistas Residency Program, 2Alas (comprised of artists Andrew Antonaccio and Filio Galvez), explore the early years of the 20th century that continue to shape our views on technology, consumerism and labor. Paying special homage to the lasting influence of the Ford Motor Company, 2Alas combine iconic imagery from the era with a contemporary street art aesthetic to deliver a visual series that brings to life a story of not only the past, but the present. 

Be sure to stop by the YoAmo305 gallery this Saturday, April 12th to check out the exhibition.

2Alas “1915”

Saturday April 12, 2014

7pm 

YoAmo305 Gallery

2311 NW 2nd Ave, Miami FL 33127

It’s no wonder the country that brought us some of our favorites  (sushi, Pocky’s, anyone?) would also bring us the ultimate coffee lover’s dream: the mug half full.

Designed by Japanese firm Nendo, when flipped over, the Starbucks branded mugs have the illusion that they are filled with a caramel macchiato, latte or Americano. Ah, smart and mouthwatering.

No word yet on whether the designs will be making their way to our local Starbucks, but for now, we’ll sip on our Panther Coffee lattes and enjoy the nice reminder that the cup is always half-full.

PHOTOS: Nendo 

Color us Obsessed

Pardon us, but we’re a little obsessed with the idea behind Movies in Color, a tumblr that features stills from classic films along with their corresponding color palettes. The idea is simple, but as you scroll through the stills, it’s hard to ignore the distinct moods and tones brought out by the use of different color palettes. 

Grab some popcorn and open up photoshop. We have a feeling you’ll be scrolling through it for a while. 

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Where the Wild Things Are, 2009
Cinematography: Lance Acord

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Blade Runner, 1982
Cinematography: Jordan Cronenweth

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12 Years a Slave, 2013
Cinematography: Sean Bobbitt

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Pierrot le Fou, 1965
Cinematography: Raoul Coutard

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Doubt, 2008
Cinematography: Roger Deakins

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Elf, 2003
Cinematography: Greg Gardiner

TOMORROW! 
Mediocre by Axel Void 
Saturday March 8, 2014
7pm Finissage 
YoAmo305 Gallery

2311 NW 2nd Ave, Miami FL 33127

TOMORROW! 

Mediocre by Axel Void

Saturday March 8, 2014

7pm Finissage

YoAmo305 Gallery

2311 NW 2nd Ave, Miami FL 33127

Residency Reflection: Axel Void 
There’s something both powerful and understated about Axel Void.
After a few moments of speaking with him, you get the sense that he doesn’t exactly belong to any particular place or zip code. Born in Miami, Axel moved to Andalusia, Spain at the age of three. From there, he would go on to collect stamps all throughout Europe, often opting to only bring with him a paintbrush.
He is, more or less, rootless – a fact that allows him to capture ordinary slices of life in a meaningful and uncomfortably honest way.
Indeed, it is his very rootless and observant nature that made him a perfect candidate to kick-off the 2014 Fordistas Residency program. The program, which invites 7 handpicked artists to live, work and be inspired by Miami, kicked off last month with Axel’s exhibition titled Mediocre. The series, which focuses on daily life, has evolved since he first began it in 2006.
“The first show I did for Mediocre was about a specific woman in Germany. I asked the gallery to pick a random person from a very small town. The gallery chose a Polish German girl who worked as a bartender. I flew there with only my brushes. I followed her every day life and got to know her. The whole show was about her,” Axel recalls.
In this exhibition, currently open for viewing at the YoAmo305 gallery in Wynwood, the Mediocre series has evolved into a curated selection of slices of life from Axel’s travels, including Miami. It is not that Axel is obsessed with the mundane, but rather he accepts its inevitability and chooses to embrace it instead of ignore it.
“Long before photography, paintings were used to pay homage to great historical events and public figures. Be it the church, Jesus Christ, dictators or politicians. I wanted to turn it around in my paintings and focus on the real people. The rest of the people that make up history. I’m interested in talking about every day people - mundane things, I would say.”
Spending hours at a time perfecting his pieces, Axel’s experience in the Fordistas Residency program allowed him to work with others in preparation for the opening exhibit.
“Painting is a very introspective thing. I wouldn’t say lonely - that’s not really the word - but it’s a lot of working from within you and digesting things to show them in a different way, so it’s always good to socially involve other people while you’re working to see how they see it,” he explains.
Raised mainly in Cadiz, one of the oldest cities in Europe known for its strong traditions, Axel describes his time in Miami as both strange and interesting.
“Cadiz is very different from a city like Miami that is relatively new and finding itself. I really like the mix here in Miami; the mix of culture. I think there’s also a really big contrast here. I’m not a very big party guy. [Going to South Beach] was always weird. To me, it was always like I was going on a field trip, like going to Disney World. It’s a theme park. Like somebody must have thought of this purposefully. Things are not all normal.”
As a renaissance man of sorts (painter, musician, filmmaker), Axel views his creative mediums as different languages all used to express the same message. Much like his peers in the art world, Axel chose paint as a medium to communicate his perspective. But unlike many of his peers, he isn’t looking for quick fame.
“I feel artists have different interests, especially in street art. There’s a vast interest in gaining attention. In my opinion, in a very fake and frivolous way. The way some artists use colors and effects in their paintings are based on how many likes they’ll get on Facebook. It’s the “wow” that they’re looking for. I guess in my paintings I’m not looking for the wow, I’m looking for the “oh!” followed by a thought and a reasoning. I like it for my work to stick in a person’s mind, to think about it,” Axels explains.
If the exhibit’s opening was any indication, Axel will be hearing plenty of “Oh’s” throughout his career. As for what’s in-store for him next, Axel will jet off to Spain and Italy for a few months to work on several new projects as well as work on finalizing a short film he filmed in Miami that captures slices of life. He also hopes to finish obtaining his degree in art to continue teaching young aspiring artists to develop their technique and style, something he’s grown a passion for over the years.
Be sure to mark your calendars for Axel Void’s finissage party this Saturday, March 8th at 7pm ET.
Yo Amo 305 Gallery 
2311 NW 2nd Avenue
Miami, FL 33127
Check out Axel Void’s work and follow him here:
www.axelvoid.com
www.facebook.com/axelvoid
instagram: @axelvoid

Residency Reflection: Axel Void

There’s something both powerful and understated about Axel Void.

After a few moments of speaking with him, you get the sense that he doesn’t exactly belong to any particular place or zip code. Born in Miami, Axel moved to Andalusia, Spain at the age of three. From there, he would go on to collect stamps all throughout Europe, often opting to only bring with him a paintbrush.

He is, more or less, rootless – a fact that allows him to capture ordinary slices of life in a meaningful and uncomfortably honest way.

Indeed, it is his very rootless and observant nature that made him a perfect candidate to kick-off the 2014 Fordistas Residency program. The program, which invites 7 handpicked artists to live, work and be inspired by Miami, kicked off last month with Axel’s exhibition titled Mediocre. The series, which focuses on daily life, has evolved since he first began it in 2006.

“The first show I did for Mediocre was about a specific woman in Germany. I asked the gallery to pick a random person from a very small town. The gallery chose a Polish German girl who worked as a bartender. I flew there with only my brushes. I followed her every day life and got to know her. The whole show was about her,” Axel recalls.

In this exhibition, currently open for viewing at the YoAmo305 gallery in Wynwood, the Mediocre series has evolved into a curated selection of slices of life from Axel’s travels, including Miami. It is not that Axel is obsessed with the mundane, but rather he accepts its inevitability and chooses to embrace it instead of ignore it.

“Long before photography, paintings were used to pay homage to great historical events and public figures. Be it the church, Jesus Christ, dictators or politicians. I wanted to turn it around in my paintings and focus on the real people. The rest of the people that make up history. I’m interested in talking about every day people - mundane things, I would say.”

Spending hours at a time perfecting his pieces, Axel’s experience in the Fordistas Residency program allowed him to work with others in preparation for the opening exhibit.

“Painting is a very introspective thing. I wouldn’t say lonely - that’s not really the word - but it’s a lot of working from within you and digesting things to show them in a different way, so it’s always good to socially involve other people while you’re working to see how they see it,” he explains.

Raised mainly in Cadiz, one of the oldest cities in Europe known for its strong traditions, Axel describes his time in Miami as both strange and interesting.

“Cadiz is very different from a city like Miami that is relatively new and finding itself. I really like the mix here in Miami; the mix of culture. I think there’s also a really big contrast here. I’m not a very big party guy. [Going to South Beach] was always weird. To me, it was always like I was going on a field trip, like going to Disney World. It’s a theme park. Like somebody must have thought of this purposefully. Things are not all normal.”

As a renaissance man of sorts (painter, musician, filmmaker), Axel views his creative mediums as different languages all used to express the same message. Much like his peers in the art world, Axel chose paint as a medium to communicate his perspective. But unlike many of his peers, he isn’t looking for quick fame.

“I feel artists have different interests, especially in street art. There’s a vast interest in gaining attention. In my opinion, in a very fake and frivolous way. The way some artists use colors and effects in their paintings are based on how many likes they’ll get on Facebook. It’s the “wow” that they’re looking for. I guess in my paintings I’m not looking for the wow, I’m looking for the “oh!” followed by a thought and a reasoning. I like it for my work to stick in a person’s mind, to think about it,” Axels explains.

If the exhibit’s opening was any indication, Axel will be hearing plenty of “Oh’s” throughout his career. As for what’s in-store for him next, Axel will jet off to Spain and Italy for a few months to work on several new projects as well as work on finalizing a short film he filmed in Miami that captures slices of life. He also hopes to finish obtaining his degree in art to continue teaching young aspiring artists to develop their technique and style, something he’s grown a passion for over the years.

Be sure to mark your calendars for Axel Void’s finissage party this Saturday, March 8th at 7pm ET.

Yo Amo 305 Gallery

2311 NW 2nd Avenue

Miami, FL 33127

Check out Axel Void’s work and follow him here:

www.axelvoid.com

www.facebook.com/axelvoid

instagram: @axelvoid

Last year Afrobeta packed all their groove onto a Ford Explorer and headed to the Virginia Key Festival to camp, perform and spread the Fordistas love. 
In honor of their repeat performance at this year’s festival, turn up your speakers and enjoy a flashback. 
The festival will be running through this Sunday with performances from some of our other favorite Miami talent, including Spam Allstars and Mr. Pauer.  For ticket info and to check out the full line-up click here

Familiar Faces at Art Wynwood

As Art Wynwood drew big crowds this weekend, we were happy to see some familiar faces – including local artist Douglas Hoekzema, or Hoxxoh.

Last September, Hoxxoh along with local artist and Fordista Andrew Antonaccio, helped us close out our Fordistas XII: Headlights exhibition with a few surprise pieces. Both artists hand-painted and transformed footballs and other elements from our QB challenge with Ryan Tannehill.

Hoxxoh, who is represented by the Miami based Butter Gallery, shared some of his unique paintings at Art Wynwood, each made distinct by his use of a moving pendulum.

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Hoxxoh, Art Wynwood

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SFF QB Challenge // Headlights closing reception

Below are some of our other favorite pieces from the Art Wynwood fair – including Typoe’s neon piece that appropriately greeted visitors at the entrance. 

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